Es folgt eine Liste von Diplom-, Magister- und Doktorarbeiten, in denen die Alexander-Technik eine Rolle spielt. Sie sind nur teilweise als Buch kaufbar. Bitte schreiben Sie eine eMail an books@at-ffm.de, wenn Sie bestimmte Arbeiten lesen möchten.
Autor | Titel | Quelle | Preis | ||
Kaplan, Iris Ph.D. | The experience of pianists who have studied the Alexander Technique: Six case studies | New York University, 1994 | 224 pp 59.00 USD | ||
McCullogh, Carol Porter D.M.A. | Alexander Technique and the pedagogy of Paul Rolland | Arizona State University, 1996 | 107 pp 59.00 USD | ||
Chien, Shao-Chin D.M.A. | Application of the principles of the Alexander Technique to viola playing and performance | University of Miami, 2007 | 89 pp 59.00 USD | ||
Chen, Hsin-I Ed.D. | Doing less to learn more: Stories of music learning and teaching with the Alexander Technique | Teachers College, Columbia University, 2006 | 267 pp 59.00 USD | ||
Weiss, Maria Ursula D.M.A. | The Alexander Technique and the art of teaching voice | Boston University, 2005 | 350 pp 59.00 USD | ||
Knaub, Maribeth Jill Hartwig Ed.D. | Body mapping: An instructional strategy for teaching the Alexander Technique to music students | University of Pittsburgh, 1999 | 206 pp 59.00 USD | ||
LEWIS, PAMELA PAYNE D.A. | THE Alexander Technique: ITS RELEVANCE FOR SINGERS AND TEACHERS OF SINGING | Carnegie Mellon University, 1980 | 171 pp 59.00 USD | ||
Holm, Carolyn Postma D.M.A. | Correctives to breathing hindrances in flute performance, with emphasis on the Alexander Technique | The Southern Baptist Theological Seminary, 1997 | 176 pp 59.00 USD | ||
Fedele, Andrea Lynn A.Mus.D. | The Alexander Technique: A basis for oboe performance and teaching | University of Illinois at Urbana-Champaign, 2003 | 280 pp 59.00 USD | ||
Wabich, John Christopher M.M. | The practical application of the F. M. Alexander Technique to the performing percussionist | California State University, Long Beach, 1992 | 44 pp 59.00 USD | ||
Krim, Don M.S. | Multiple perspectives on the experience and effectiveness of the Alexander Technique in relation to athletic performance enhancement: A qualitative study | California State University, Fullerton, 1993 | 191 pp 59.00 USD | ||
Englehart, Robert James Ph.D. | An electromyographic study of preparatory set in singing as influenced by the Alexander Technique | The Ohio State University, 1989 | 211 pp 59.00 USD | ||
Lorenz, Steven Robert M.Mus. | Performance anxiety within the secondary choral classroom: Effects of the Alexander Technique on tension in performance | Michigan State University, 2002 | 91 pp 59.00 USD | ||
Van Weelden, Marnie D.M.A. | Summary of performance materials: Two programs of piano music, and one pedagogical workshop and paper | University of Michigan, 2006 | n/a 0.00 USD | ||
Copeland, Shawn L. D.M.A. | Applied anatomy in the studio: Body Mapping and clarinet pedagogy | The University of North Carolina at Greensboro, 2007 | 94 pp 59.00 USD | ||
Gallagher, Mark A. D.M.A. | Arrangements of five oboe trios by Joseph Triebensee (1772--1846), Johann Wenth (1745--1801), and Anton Wranitzky (1761--1820) | The University of Wisconsin - Madison, 2004 | n/a 0.00 USD | ||
FOWLER, SARAH B. Ph.D. | UNSPEAKABLE PRACTICES: MEANING AND KINESIS IN DANCE (Alexander Technique, MERLEAU-PONTY) | Temple University, 1987 | 212 pp 59.00 USD | ||
Rogers, Sandra Margaret Ed.D. | Survey of piano instructors: Awareness and intervention of predisposing factors to piano-related injuries | Columbia University Teachers College, 1999 | 176 pp 59.00 USD | ||
RICHTER, ECKHART H. D.Mus. | THE APPLICATION OF THE Alexander Technique TO CELLO PLAYING | The Florida State University, 1974 | n/a 0.00 USD | ||
Tillman, Rochele Ann M.A. | Voice and body incorporated into actor training | University of Nevada, Las Vegas, 1999 | 87 pp 59.00 USD | ||
Janis, Christine Anne D.M.A. | Opera workshop for the undergraduate: More than aria coaching | The Ohio State University, 1994 | 128 pp 59.00 USD | ||
Chabora, Pamela Dawn Ph.D. | A descriptive study of the application of research in neuropsychology to self-use training for actors | Michigan State University, 1994 | 267 pp 59.00 USD | ||
Johnson, Nancy Rae M.A. | Knowing in our bones: Exploring the embodied knowledge of somatic educators | University of Toronto (Canada), 2003 | 110 pp 59.00 USD | ||
Lucia, Raymond Martin Ed.D. | The effects of playing a musical wind instrument in asthmatic teenagers | Columbia University Teachers College, 1993 | 149 pp 59.00 USD | ||
Dimon, Theodore, Jr. Ed.D. | Performing arts, pedagogy, and the work of F. M. Alexander | Harvard University, 1987 | 210 pp 59.00 USD | ||
Doyle, Gerard Dr. | The task of the violinist : skill, stress and the Alexander Technique | Lancaster University (United Kingdom), 1984 | n/a 0.00 USD | ||
Pearson, Eleanor (Lea) May D.M.A. | What every flute teacher needs to know about the body: A handbook applying the principles of body mapping to flute pedagogy | The Ohio State University, 2000 | 108 pp 59.00 USD | ||
MAYLAND, ELAINE LOOMIS Ph.D. | The Rosen method of bodywork | Institute of Transpersonal Psychology, 1985 | 160 pp 59.00 USD | ||
MANESS, KATHRYN REYBURN Ph.D. | GEORGE ALEXANDER AND THE ST. JAMES'S THEATRE: A STUDY OF STYLE (ENGLAND) | University of Denver, 1983 | 230 pp 59.00 USD | ||
SELLA, DAVID Ph.D. | AN APPLICATION OF SELECTED BODY STRUCTURE AND POSTURES OF THE HUMAN BODY TO THE FUNDAMENTALS OF CELLO TECHNIQUE | New York University, 1981 | 132 pp 59.00 USD | ||
BROWN, RICHARD ALVIN Ph.D. | KINESTHETIC AND COGNITIVE DETERMINANTS OF EMOTIONAL STATE: AN INVESTIGATION OF THE Alexander Technique | source | 106 pp 59.00 USD | ||
Liu, Mei-Chu Margie Ph.D. | Somatic education: Applying Eastern and Western approaches to teaching and learning | The Ohio State University, 1998 | 254 pp 59.00 USD | ||
BOARDMAN, SUSAN D. D.M.A. | VOICE TRAINING FOR THE MUSICAL THEATER SINGER (BROADWAY) | University of Cincinnati, 1987 | 149 pp 59.00 USD | ||
Casciero, Thomas Ph.D. | Laban Movement Studies and actor training: An experiential and theoretical course for training actors in physical awareness and expressivity | The Union Institute, 1998 | 311 pp 59.00 USD | ||
Bahr, Megan Granda Ph.D. | Transferring values: Albert C. Barnes, work and the work of art | The University of Texas at Austin, 1998 | 315 pp 59.00 USD | ||
De Vries, Katie Sue M.A. | Movement for dancers and actors: The implications of modern dance for actor training | The American University, 1999 | 66 pp 59.00 USD | ||
FITZGERALD, LYNNE E. Educat.D. | BREATH: PRINCIPLES DERIVED FROM EASTERN AND WESTERN LITERATURE AND SUGGESTIONS FOR ITS USE IN MODERN DANCE | Temple University, 1984 | 153 pp 59.00 USD | ||
DENNIS, RONALD JOHN Educat.D. | MUSICAL PERFORMANCE AND RESPIRATORY FUNCTION IN WIND INSTRUMENTALISTS: EFFECTS OF THE Alexander Technique OF MUSCULOSKELETAL EDUCATION | Columbia University Teachers College, 1987 | 81 pp 59.00 USD | ||
LLOYD, GWYNETH M.Mus. | THE APPLICATION OF THE Alexander Technique TO THE TEACHING AND PERFORMING OF SINGING: A CASE STUDY APPROACH | Universiteit Stellenbosch (South Africa), 1987 | 155 pp 59.00 USD | ||
Oliver, Suzanne Kathryn Ph.D. | Toward mind/body unity: Seeking the deeper promise of dance education | University of Illinois at Urbana-Champaign, 1994 | 172 pp 59.00 USD | ||